Maya lin art work full#
Maya lin art work series#

And she has long been committed to using sustainable materials and creating buildings that aren’t too big, “because I like utilizing outdoor rooms.”ĭiscussing her meticulous work process, Lin, who speaks with a deep voice belying her compact size says, “My work is heavily researched.

As a girl growing up in bucolic Athens, Ohio, Lin spent endless hours exploring the woods and rolling hills near her home, becoming an environmentalist long before it was fashionable. Many of her most celebrated designs incorporate running water and natural landscapes. Their tears dropping and mingling with the water on the table-it was just unbelievably emotional.” The acclaimed memorial is a simple 12 by 3 metre granite table placed in front of a Biblical paraphrase used by slain civil rights leader Martin Luther King Jr-“ We will not be satisfied until justice rolls down like waters, and righteousness like a mighty stream”-over which a steady stream of water flows.Įdward Ashworth, the Center’s board member who commissioned Lin, recalls: “On dedication day, the first visitors to see the memorial, adults and children, immediately put their hands in the cool water. These included a Civil Rights Memorial for the Southern Poverty Law Center in Alabama, a tribute to those who died in the American civil rights struggle between 19. Lin then set up her own small studio in New York City and went on to produce a string of remarkable creations. Especially after she quietly returned to Yale to complete her undergraduate degree, and subsequently got her architect’s license. The exhibition is organized by the Hudson River Museum and curated by Miwako Tezuka.There were some who believed Maya Lin’s debut achievement was a mere fluke. The Museum will also be partnering with a variety of organizations such as Riverkeeper, Wave Hill, Alamo Drafthouse Cinema-Yonkers, WE ACT for Environmental Justice, and the Center for the Urban River at Beczak (Sarah Lawrence College) on education programs and art, design, and environmental activities.

Maya lin art work series#

Programs will include an artist lecture with Maya Lin, a Gallery Tour with Guest Curator Miwako Tezuka, and Sunday Scholar Series lectures with leading art historians and environmental historians and advocates. Visitors of all ages and backgrounds are invited to explore and engage with Lin’s visual interpretations of the world in which we live, the macrocosmic presence of nature, and the impact of our human role within it.

Maya lin art work full#

To complement Maya Lin: A River Is a Drawing, there is an exhibition catalog (now available in the Museum Shop) and a full menu of interdisciplinary programming. The exhibition gives form to the macrocosmic workings of nature, as embodied in the Hudson River, and brings its presence in an affective, human scale. As we experience effects of climate change with increasing frequency and intensity, it is urgent to become aware of what happened in the environment before and what is happening to it now. What Is Missing?- Hudson River Timeline, is a moving timeline composed of text and images narrating habitat changes and population fluctuations of various species in and around the Hudson River throughout history up to the present. A darkened gallery is dedicated to the multi-channel video projection, The exhibition also includes an open-ended and invitational question What is Missing?, Maya Lin’s ongoing interactive digital art project and environmental advocacy movement ( ). The exhibition includes new drawings on paper that magnify points of interest in various waterways around New York as well as encaustic relief sculptures based on the Laurentide Ice Sheet, which condense shapes of glacial changes of past millennial cycles affecting shapes of water as well as land. The marbles follow and defy natural gravity and spread throughout the floor, the walls, and the ceiling. In the adjacent gallery, a flood of approximately 22,000 pale blue-green industrial glass marbles takes on a shape of the grand Hudson River basin in Folding the Hudson, 2018.

Continuing to the indoor space and responding to the HRM’s Brutalist building features, The Hudson Bight, 2018, an augmented seafloor map of the Hudson Canyon -a submarine canyon created by the glacial change at the end of the last Ice Age -cascades through the Atrium, a 30-foot installation with contours drawn with webbing wires.